At the Edge of the Scene

Fun little mini photoshoot with Max today. Originally we had planned to seek out a crazy, striped mural downtown but we were losing time for natural lighting. I like this mural we found anyway. Something crazy to go with my bright, cartoon-y, mod dress.

Lens flare is a joke and a nod to Max - haha! I had a super-small colorful water gun in my bag. It was about 84 degrees today. Shoulda filled that up and ran around the neighborhood!

Sloan tote bag! I originally found out this bag existed by googling a photo of Flight of the Conchords one day. There is this photo of them running through the airport with it. No idea they were Sloan fans. They have been my favorite band for about a decade now.

They're primarily considered the "Canadian Beatles" but their sound is so much more than that. The height of their career was really in the mid-to-late 90s, but as a huge Sloan fan they still have awesome albums after that and shouldn't be written off.

Their videos are usually retro-cool too.

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Latch Hook Rug Update

A little under a month ago I received all of my supplies to take on one of the biggest long-term projects I have ever taken on - a self-designed latch hook rug. I don't know why, but I am clearly nuts. So beginning today I am posting photos each month, (preferably on the 1st of each month) progress of this gigantic shag rug. See how I started it here (scroll down past posting of my $10 dress). This is a photo of it today: Yes, I used the candelabra for scale. Haha. This rug is really soft and is fun to run your fingers through. It doesn't look like much was accomplished, but though the number of packages we have gone through of pre-cut latch hook rug yarn already I have calculated that we've used over 2500 strands for this ie.) 8 packages. I also just ordered 10 more packages of lime green since that's what I ran out of first and 6 more packages of straw yellow. There is still quite a bit to go, but you see the blue row square...

Shingo Sato and the Art of Transformational Reconstruction

So I got really excited on my break at work today when I got an email from Burda about a webinar they're doing on a pattern technique called "Transformational Reconstruction" developed by Japanese designer Shingo Sato. I hadn't even heard of Shingo Sato until today let alone his design technique but oddly, it's sort of the path I'm going down with my designs anyway as seen with the Sunrise Panel dress as well as the Petra Dress and the pattern making involved in those designs. What I did there is perhaps a "light" version of Sato's where the darts and shaping are hidden in the seam lines. If you've been reading this blog long enough, you know that my design aesthetic focuses largely on color blocking, unusual seam lines, and a love of anything psychedelic. Note: All photos stolen from the internet. Sorry! I'm super-excited. Let me know if it's yours and I'll take it down. Shingo Sato teaching. More designs using...

Section 4: Sewing Basics/Reading a Commercial Pattern

I was actually going to skip over this post since I know that all of you already sew a bit, but then I realized that there are lots of great links and resources to use for sewing and decided I couldn't skip over all of that! I also might have a few things that I might be able to clear up on a commercial pattern for some of you - you never know. We're going to go over a retro pattern - Simplicity 6959 to be exact - because that's a commercial pattern I have used most recently and am familiar with. Much of the information I'll be going over is standard for any pattern so it doesn't matter which pattern you have. Interspersed will be links for sewing tips, tricks, techniques so don't worry if you already feel like you can read a commercial pattern perfectly - there are goodies for advanced sewists too! Alright, so here is Simplicity 6959 - The first thing you will want to look at with a commercial pattern is the back of the pattern packet. What s...

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